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The new album "The Internet will break my heart" by Chris Imler releases in february, 2025, on german label Fun In The Church, co-released by belgian/french label Moli Del Tro.
The album marks the steepest artistic stage from Imler to date.We see a man whose entire solo oeuvre not to mention all the bands he's been providing drums for, from legendary 80ies Postpunk outfit THE GOLDEN SHOWERS to PEACHES , from MAXIMILIAN HECKER to OUM SHATT. "The Internet will break my heart" is a late work, at the dizzying heights of his game.
Only now the world wide web unfolds its full disappointing potential. All dreams of an emancipatory power of the digital multitude (remember Negri/Hardt, haha) are as completely extinguished as the Arab Spring was swallowed up by the pre-nuclear winter. While they are capped from above in authoritarian states, social media in the so-called free world are primarily used by lumpen capital to undermine humanist standards and by the remnants of the left for self-destructive polarization. But the cute animal videos! They too have their dark side, which Imler brings up in the title song: "Die Tiere in der echten Welt stehen unter Druck" ("The animals in the real world are under pressure").
So what is an aesthetically adequate way of dealing with this new digital version of the frustration of progress? Can it still be the old cold sounds of defiant adaptation to alienation? In the introduction to an exclusive session with Gary the Tall on NTS radio he was placed alongside KRAFTWERK , DAF and NEU! That's not entirely wrong. But it's only half the truth at best. This becomes particularly clear during his live shows. To a certain extent, they are Sketches that he noton his laptop on long and numerous travels are rehearsed on stage on the same evening, with emotional". His performance is deliberately chaotic, impulsive for all its Berlin street toughness, heartfelt. And although Imler - even with his occasional trumpet interludes - never has direct jazz references, one can just as easily think of Thelonious Monk's unruly boldness or Ornette Coleman's aggressive dynamics as of those aforementioned representatives of Teutonic robotics. (Jens Friebe)
Chris Imler live + support tba + Gary the Tall DJ
15th may at New River Studios, presented by Bretford Berlin
New River Studios stands as a vital cultural artery within North London's Harringay Warehouse District, operating as a not-for-profit arts centre and community interest company. It provides an accessible platform for local artists and creative businesses, offering shared facilities and a space for collaboration that extends beyond mere commerce. This converted furniture warehouse has cultivated a reputation as a significant hub for artistic expression and community engagement.
Inside, the venue retains an industrial charm, with exposed elements softened by the warmth of activity. The air often carries the faint aroma of freshly brewed coffee mingling with the lingering scent of performance, while the tactile experience of worn wooden surfaces and robust, repurposed furniture speaks to its history and practical ethos. It cultivates an atmosphere that is both grounded and creatively charged, a genuine reflection of its artistic purpose.
Practically, the venue features a well-stocked bar and café, serving a selection of craft beers, coffees, and casual fare like pizzas and vegan brownies. It also houses recording and rehearsal studios, supporting musicians and creatives. The space is designed with accessibility in mind, offering a wheelchair-accessible entrance.
Throughout the year, New River Studios hosts a diverse calendar of events, ranging from live music performances and art exhibitions to workshops, educational programmes, and pop-up experiences. These gatherings draw a varied audience, reinforcing its role as a dynamic centre for cultural exchange and creative development within the local and wider London arts scene.
199 Eade Rd,
Harringay Warehouse District,
Haringey,
Greater London,
England,
N4 1DN.
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