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? They are the most musically inventive quartet that I have seen in decades ?
? Dave PEGG
The Churchfitters is a folk band like no other. A double bass made out of a saucepan. Heart-wrenching vocals accompanied by a musical saw or a glass harp. Foot-stompingly fast fiddle mixed with infectious funk-rock rhythms. And traditional tunes reinvigorated with mesmerising jazz sax.
The three virtuoso musicians from England and France strut their stuff on a stage that bristles with instruments - adding flute, banjo, dulcimer, tin whistle, guitar, ukulele, electric hub-cap bass-bouzouki and a sackful of percussion to their ensemble. And let?s not forget the unique ?bing-bong? machine made out of hack-saw blades.
Throw in some exquisite harmonies, a slew of startlingly original songs and a few jokes that create instant rapport and you?ve got a high energy show that always leaves audiences cheering. How do you adequately describe such a musically diverse, uplifting band? You leave it to Mike Harding, a self-confessed ?huge, huge fan?. He calls their music 'totally brilliant and beautiful'.
?Like Annie Lennox in full flow? (Fab Nights Productions) - Londoner Rosie Short?s achingly beautiful voice is equally at home singing husky blues, plaintive femme folk or ethereal originals. A talented songwriter, she?s also a ?one woman orchestra?, deftly swapping between flute, saxophone, banjo, tin whistle, dulcimer, ukulele and any number of things you can shake, rattle, or whack with a stick. Rosie?s brother Chris is a feverishly fast fiddler who has the annoying habit of getting people, who were sitting quite comfortably, out of their seats and dancing. When required, he also plays slowly and most of the other speeds. A mean mandolin player, he sings great vocal harmonies too. Finally, he?s a raconteur with a great sense of humour ? but then you need that if you play the musical saw.
Part bass player, part mad inventor, Boris Lebret from Lannion (France) hates to play a regular instrument when he can cobble together a better one out of scrap metal. Like when he discovered four strings weren?t enough for his driving bass rhythms, so he simply reached for the Black & Decker and bolted on another six.
Rosslyn Court stands as a vital cultural anchor within Cliftonville, a district increasingly recognised for its artistic vibrancy. It functions as an intimate acoustic music venue, drawing both local audiences and those from further afield, establishing itself as a key destination for live performance in Kent.
The interior cultivates a warm, inviting atmosphere, where the soft glow of ambient lighting complements the rich, resonant acoustics of the performance space. Thoughtfully arranged seating encourages a focused listening experience, while the subtle scent of freshly brewed coffee often permeates the air, adding to the homely feel.
Beyond the main performance area, the venue offers a pleasant garden space for quieter moments. The entire ground floor is accessible, including dedicated facilities, ensuring ease of movement for all patrons. A small bar provides a selection of hot and cold beverages, alongside cakes, enhancing the comfort of an evening's attendance.
The programming at Rosslyn Court spans a broad spectrum of acoustic music, from traditional folk and Americana to contemporary indie and jazz. Regular open mic sessions, classical evenings, and sea shanty gatherings also feature, providing a platform for both established artists and emerging local talent.
62 Sweyn Road,
Cliftonville,
Kent,
England,
CT9 2DD.
Sorry, This Event is in the past!
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