"invitation Au Voyage"
at
30 Pavilion Road
London
19:00
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Description
Music - Classical
MARIA HEGELE
German mezzo-soprano Maria Hegele is studying at the Royal College of Music International Opera Studio under the tutelage of Dinah Harris. She previously graduated from the Mozarteum Salzburg, having completed her studies under Barbara Bonney. Maria?s operatic roles include Conception, Lisetta, Nicklausse, Hermia and Cherubino. She has participated in Masterclasses with Dame Sarah Connolly, Ann Murray, Wolfgang Holzmair and Brigitte Fassbaender. She?s a Britten-Pears Young Artist, a Heidelberger Frühling Young Artist and is an Imogen Cooper Music Trust Scholar. Furthermore, she is grateful to be a Siow Furniss Scholar, with generous support from both the Basil Coleman Opera Award and the Deutsche Stiftung Musikleben Hamburg.
The idea of performing the French art-song repertoire was conceived because Imogen Cooper?s one-to-one Masterclasses are usually held in Eygalières and no-one was able to go there during the past year, so the concert is a virtual ?Invitation au voyage? to Provence.
HAMISH BROWN
Hamish Brown is a London-based pianist who performs as a vocal accompanist, chamber musician, orchestral pianist and soloist. He is currently the Gilbert & Eileen Edgar and Anthony Saltmarsh Collaborative Piano Fellow at the Royal College of Music. He was awarded the Britten Pears Young Artist Programme Prize at the 2019 Wigmore Hall/Independent Opera International Song Competition, and recently made his debut Wigmore Hall recital with soprano Milly Forrest. As a former Oxford Lieder Young Artist, he has performed at St John?s, Smith Square, Oxford Lieder Festival, Internationaal Lied Festival Zeist, and Heidelberger Frühling. Hamish read music at the University of Manchester, continuing with postgraduate studies under Simon Lepper and Roger Vignoles at the Royal College of Music, graduating with Distinction.
PROGRAMME
Henri Duparc (1848 ? 1933) L?invitation au voyage (1872)
With text from Les Fleurs du Mal by Charles Baudelaire (1857)
Claude Debussy (1862 ? 1918) Trois chansons de Bilitis (1897)
Based on poems by Pierre Louys (1895)
Gabriel Fauré (1845 ? 1924)
Le papillon et la fleur (1868) with text by Victor Hugo (1835)
Au bord de l?eau (1875) with text by Sully Prudhomme (c. 1872)
Prison (1894) with text by Paul Verlaine (1880)
Mandoline (1891) with text by Paul Verlaine (1869)
Francis Poulenc (1899 ? 1963)
Montparnasse (1945) with text by Guillaume Apollinaire (1912)
Violon (1939) with text by Louise de Vilmarin (1938)
Air romantique (1927) with text by Jean Moréas (1899 ? 1901)
Air grave (1927) with text by Jean Moréas (1899 ? 1901)
Air vif (1927) with text by Jean Moréas (1899 ? 1901)
Claude Debussy (1862 ? 1918) A cycle of 5 poems (1887)
Based on texts by Charles Baudelaire (1857)
German mezzo-soprano Maria Hegele is studying at the Royal College of Music International Opera Studio under the tutelage of Dinah Harris. She previously graduated from the Mozarteum Salzburg, having completed her studies under Barbara Bonney. Maria?s operatic roles include Conception, Lisetta, Nicklausse, Hermia and Cherubino. She has participated in Masterclasses with Dame Sarah Connolly, Ann Murray, Wolfgang Holzmair and Brigitte Fassbaender. She?s a Britten-Pears Young Artist, a Heidelberger Frühling Young Artist and is an Imogen Cooper Music Trust Scholar. Furthermore, she is grateful to be a Siow Furniss Scholar, with generous support from both the Basil Coleman Opera Award and the Deutsche Stiftung Musikleben Hamburg.
The idea of performing the French art-song repertoire was conceived because Imogen Cooper?s one-to-one Masterclasses are usually held in Eygalières and no-one was able to go there during the past year, so the concert is a virtual ?Invitation au voyage? to Provence.
HAMISH BROWN
Hamish Brown is a London-based pianist who performs as a vocal accompanist, chamber musician, orchestral pianist and soloist. He is currently the Gilbert & Eileen Edgar and Anthony Saltmarsh Collaborative Piano Fellow at the Royal College of Music. He was awarded the Britten Pears Young Artist Programme Prize at the 2019 Wigmore Hall/Independent Opera International Song Competition, and recently made his debut Wigmore Hall recital with soprano Milly Forrest. As a former Oxford Lieder Young Artist, he has performed at St John?s, Smith Square, Oxford Lieder Festival, Internationaal Lied Festival Zeist, and Heidelberger Frühling. Hamish read music at the University of Manchester, continuing with postgraduate studies under Simon Lepper and Roger Vignoles at the Royal College of Music, graduating with Distinction.
PROGRAMME
Henri Duparc (1848 ? 1933) L?invitation au voyage (1872)
With text from Les Fleurs du Mal by Charles Baudelaire (1857)
Claude Debussy (1862 ? 1918) Trois chansons de Bilitis (1897)
Based on poems by Pierre Louys (1895)
Gabriel Fauré (1845 ? 1924)
Le papillon et la fleur (1868) with text by Victor Hugo (1835)
Au bord de l?eau (1875) with text by Sully Prudhomme (c. 1872)
Prison (1894) with text by Paul Verlaine (1880)
Mandoline (1891) with text by Paul Verlaine (1869)
Francis Poulenc (1899 ? 1963)
Montparnasse (1945) with text by Guillaume Apollinaire (1912)
Violon (1939) with text by Louise de Vilmarin (1938)
Air romantique (1927) with text by Jean Moréas (1899 ? 1901)
Air grave (1927) with text by Jean Moréas (1899 ? 1901)
Air vif (1927) with text by Jean Moréas (1899 ? 1901)
Claude Debussy (1862 ? 1918) A cycle of 5 poems (1887)
Based on texts by Charles Baudelaire (1857)
