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Raised in the East Yorkshire flatlands on the fringes of Hull, Katie Spencer?s landscape has always been that of open skies and widening rivers. Industry still shapes the city here. The people, as with the land, are moulded by tides and stark horizons. Stand in the same place for long enough and you can watch the sun rise over the North Sea and then sink into crop fields, glowing auburn in late-summer sun. It is this sense of space and movement that flows through Katie Spencer?s music.
The songwriting, and most notably her guitar playing stems from a time when the steel-stringed instrument was truly finding its voice. Artists like Joni Mitchell, James Taylor and perhaps most evidently Michael Chapman, flow into her sound, carrying with them the warmth and idealism of the early 70?s folk and songwriter movements.
Katie Spencer?s highly anticipated new album, The Edge of the Land (2022), follows her debut release, Weather Beaten (2019) which was praised for its unique song-craft, spell-binding musicianship and crystal sonic clarity, as she brought together fans of music from all backgrounds and walks of life. Delicate and un-rushed, the ten songs on The Edge of the Land drift by like ships on the horizon, yet intimacy and introspection still remain.
The inclusivity found in her recorded works is most apparent when on stage, with a personal connection and humour that allows the listener time to appreciate the emotion of the music. Her historical gig list is extensive, taking in the world-renowned Celtic Connections and Cambridge Folk Festival, whilst performances with Danny Thompson and Alan Thomson have left audiences in awe of her confidence and craftsmanship.
As live music returns to our world, we can expect to see Katie Spencer where she belongs once more, eyes closed, in the moment, performing.
?The way Katie plays is never contrived, showy or imitative; it sounds true ? a world-class folk guitarist? ? fRoots
?Katie?s guitar playing has echoes of my dear friend the late great Bert Jansch. Like a musical weaver she threads her poetic lyrics through the guitar?s strings and produces little tapestries of song? ? Ralph McTell
?She makes her own quietly ingenious musical statement through the notes and silences, making every note, phrase and musical punctuation mark count in a deft, elegant and intelligently undemonstrative fashion ? Katie?s stylish blend of warmth and precision proves intensely captivating!? ? Folk Radio
Lila Tristram is a musician, writer and artist based in London. She is a graduate of Goldsmiths University, one of the leading universities for the Arts in the UK.
Characterised by melancholic fingerpicking, warm and intimate vocal harmonies, a weaving of bucolic British landscapes, Nordic influences and lunar overtones, the songs which define Lila Tristram's emergence are a journey to the depths of human longing and belonging.
Green Note was founded by two friends and passionate music lovers who wanted to create their ideal place to hang out in London...
Our dream was to create a place where we could share music that we loved – somewhere with a laid back, intimate and friendly atmosphere. Becoming friends in our school days, the seed for our idea was planted many years ago. After lots of hard work, many ups and downs, and learning more than we ever could have imagined along the way, our dream became a reality when Green Note opened its doors in the Summer of 2005. Now in our fourteenth year, we have established a reputation as one of London’s best spots for roots, world and acoustic music, and we’re constantly astonished by the wealth of incredible musicians who grace our stage. We’re really proud of what we have created, and happy to be able to share it with you.
106 Parkway,
Camden Town,
Greater London,
England,
NW1 7AN.
020 7485 9899
Sorry, This Event is in the past!
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