Description

SLADY plus guests

Cum On Feel The Noize with The World's Only All Female Slade tribute band, SLADY!!

Join Gobby Holder, Davina Hill, Donna Powell and Jem Lea as they take ya bak 'ome to those 1970s glam rock days with all them crazee anthems!

Mama Weer All Crazee Now, Gudbye T'Jane, Skweeze Me Pleeze Me, Cos I Luv You and of course for those festive winter nites, Merry Xmas Everybody!! And many, many more...

Slady have taken the UK by storm and have been bringing the house down with their packed shows up and down the country! Giving you the authentic spirit of the foot-stomping 70s, the good time galz recreate the Slade sound to a T - already being dubbed the 'most authentic' and 'best tribute' to Slade that there is!

SNOG

You Wanted The Best - SNOG are a leading KISS uk Tribute band.

SNOG recreate the party atmosphere of a classic KISS show - the glam, the spectacle, the music and the fun. We don't play at you, we want to sing, jump, and shout it out loud with you! And when we are done we want a drink and a photo with you too!

Our versions of Paul, Gene, Ace and Peter reflect each of their unique stage characters. You?ll be singing fist-pumping anthems and rockin? that air guitar with your tongue hanging out before you know it ? just like Gene!

We perform all the KISS classics, including Crazy Nights, God Gave Rock and Roll To You, I Was Made For Loving You and Rock and Roll All Night. We promise you will be humming something we played as your ear worm the next day - guaranteed! If you want big rock n roll, costumes, blood, explosions, more make-up than is healthy, and a gig you won?t forget, then SNOG are the band for you. Fast becoming the UK?s favourite KISS Tribute...

LET THERE B/DC

What makes AC/DC such an exciting, pulse pounding band and how do we recreate the fire of their live performances?

That?s the main question we asked ourselves when we fired up the rock and roll train that was to become LET THERE B/DC way back in February 2011.

From the very start we knew it had to be raw, exciting and authentic as possible.

Recapturing the essence of an AC/DC performance was never going to be easy, but countless fans have told us time and time again that we?ve succeeded and are the closest thing they've ever heard to the real thing.

Our current five man line-up have had AC/DC running through their veins since childhood and our passion for the music injects the venom into every 2 hour plus show that we play.

We deliver all the favourites such as Highway to Hell, Whole Lotta Rosie and Thunderstruck together with rare and seldom heard album tracks such as Walk All Over You, Soul Stripper, Kicked in The Teeth and many many more.

With our 3 longest serving members consisting of Neil (Malcolm Young/Guitar), Paddy (Phil Rudd/Drums) and Steve (Cliff Williams/Bass) making up the ?engine room?, it gives Dave (Angus Young/Guitar) and Andrew (Brian Johnson/Bon Scott/Vocals) room to really fly and take our show to a whole new level.

This show is for a STANDING audience - unreserved seats available around the edge of the hall for those who wish to sit.

All enquiries / disabled bookings directly through OEP Live! Please call the Box Office on 01256 416384 / 07795 387108.

Description

Westgate Hall has been a dynamic community space within Canterbury’s city walls for a century. It is now opening its doors refurbished and refreshed ready for another 100 years of service.

Westgate Hall was built by public subscription as a drill hall for the Territorial Army in about 1913. It lies in the heart of Canterbury, just off the high street, and opens onto the Pound Lane car park.

Over the decades it has adapted to the needs and pressures of the time. Troops marched from the Hall to the battlefields of World War One. It survived the bombings of 1944. Then, from serving as a drill hall, it evolved into a venue for conferences, dancing, fairs, blood giving, vote counting, emergencies and community celebrations. It’s unsurprising then that it’s a focal point of community memories.

However in February 2010 the Hall’s future was in doubt as it needed substantial refurbishment. In the midst of the recession, faced by the need to make budget cuts, the high cost of repairs and running the building persuaded Canterbury City Council to vote to demolish it. With the Hall gone the space could be used for parking, revenue from the Pound Lane car park would increase, and ultimately the land could be sold for redevelopment.

The Trust is a company limited by guarantee with charitable status. Its vision for Westgate Hall and its role in Canterbury is defined by the charity’s Articles of Association and the terms of its 99-year lease to the building.

Its purpose is to preserve, maintain and manage Westgate Hall as a financially self-sustaining community and leisure centre for the benefit of the people of Canterbury and its districts.

The diverse group of local people who make up the Trust aims to maintain and enhance the quality of community life by working together with residents, users of the Hall, the local authorities, public, private and voluntary sector organisations to provide facilities supporting education, social welfare, recreation and leisure activities.

With community its anchor, the Trust is non political and does not discriminate.

A community group, the Westgate Community Trust (Canterbury), was constituted immediately following that decision. The Trust’s founding members had met on the Save the Westgate Hall, Canterbury Facebook page in the weeks preceding the vote. It had been a forum for Canterbury’s community to express its frustration with the Council’s proposal. Emotions had run high with discussions between residents and the Council frequently acrimonious. Residents resented potentially losing part of the city’s military heritage as well as a unique non-denominational community space which had touched so many lives over the century. Weaving its way through the conversations and debates was the residents’ feeling that their views about the future development of their city and its impact on their lives were again being ignored. It appeared Council consultations with the community were only form-ticking with the interests of developers, businesses, universities and tourists having priority.

Trust members believed the Hall should be saved given its history, its role in Canterbury’s community life and the one it could play in the future as the city adapted to the urban needs of the 21st century. Doubts about whether a change in the Council’s position was possible given the vote, and apprehension about how it would react to the Trust’s vision given the atmosphere of the preceding weeks, disappeared at a meeting with the Council officers responsible for the building. The vote was not yet final. The officers encouraged the Trust to produce a business plan making its case. We had three weeks.

By focusing on saving the Hall for the community and being non political, the Trust’s plan persuaded Councillors to continue funding the building until summer 2011. The Council’s challenge to the Trust: a second business plan should prove the Hall would be financially self-sustaining and need no further investment from the Council were it to grant the Trust a lease.

The Trust was able to make the emotional case for saving the building. Months of consultation with Canterbury’s community (residents and representatives of the public, private and voluntary sectors), events at the Hall, both large-scale community celebrations (the Big Lunch, Bring and Fix, Curry & Quiz, Christmas Fair) and those organised with the support of local businesses, raised the Trust’s profile, increasing awareness of and support for its efforts in the city.

However having no financial track record or asset the Trust couldn’t apply for grants or loans, and without being able to raise finance the Trust knew it would be unsuccessful in saving the Hall. During this period Corinthian Curzon/Curzon Cinemas approached the Trust as it was interested in the Hall being the site of its first cinema outside London. Against an upfront capital payment to refurbish the drill hall side of the Westgate Hall complex, the Trust agreed it would sub-let the two-storey conference side to Curzon Cinemas for conversion into a three-screen art house cinema.

Thanks to huge community generosity and engagement, the Council officers who were unfailingly supportive in guiding the Trust through the process of developing its business plans so that they met Council requirements, and its corporate partnership with Curzon Cinemas, the Trust was able to meet the Council’s challenge.

On 27th July, 2011, convinced by its proposal to transform the Westgate Hall into Canterbury’s ‘village hall’ and that its financial criteria were met, the Council Executive awarded the Trust a 99-year lease. It was signed with the Trust in February 2014.

Westgate Hall Road,

Canterbury,

Kent,

England,

CT1 2BT.

01227 634886