Description

Sharp tongued, high energy, social surrealist rebel poet and songwriter. My themes are topical, my words hard-hitting, my politics unashamedly radical, but I aim to make you roar with laughter as well as seethe with anger......

Inspired by the spirit and the ‘Do It Yourself’ ethos of punk rock, and above all by The Clash and their overtly radical, political stance, I started as a punk bass player in 1977 and took the name Attila the Stockbroker in 1980, blagging spots for my poems and songs in between bands at punk gigs. I quickly got a couple of John Peel radio sessions, a deal with London independent label Cherry Red Records and before very long was on the cover of ‘Melody Maker’. I haven’t looked back since! My 30th anniversary as Attila was September 8th 2010.

I have performed my work across the world at literary and music festivals, rock venues, arts centres, pubs, universities, schools, folk clubs and punk squats in the UK, Australia, Canada, New Zealand, the US, Germany, Austria, Switzerland, Poland, the Czech Republic, Hungary, Italy, Finland, Denmark, Norway, Sweden, Holland, Belgium and the Basque Country - and more improbably in Romania, Bulgaria and a hotel basement in Stalinist Albania.

I can, and do, gig just about everywhere: I've created my own global network, and organise most of my hundred plus performances a year myself, as well as running regular spoken word/music events and the Glastonwick Beer Festival here in my native West Sussex. As well as all my solo gigs, where during my songs I accompany myself on mandola, I play violin, bass guitar and a variety of early music instruments and from time to time gig with my band, BARNSTORMER, a unique and energetic mix of punk and early music!

Myself and the band have 4 songs and live footage in a major German feature film, ‘DoppelPack’ which was released across the German cinema network on August 17 2000. My latest album with Barnstormer, 'Bankers and Looters' was released in 2012. ‘Zero Tolerance’ was released in April 2004, following on from ‘Just One Life’ (2000) and ‘The Siege of Shoreham’ (1996) and a live DVD of the band has just been released (2006). In addition to my solo DVD, ‘Live at the Heartland Café’ recorded in the US, and album ‘Live in Belfast’ I currently have two solo ‘Best Of’ CDs on release, ‘Poems Ancient and Modern (A Live Anthology 1980-1999)’ which is my definitive spoken word release to date, and ‘The Pen & The Sword’ (Selected Songs 1981-1995)’ which documents my best songs up until the formation of my band, now the main vehicle for my songwriting. My latest solo CD release is 'Live in Norway' (2007)

I am official Poet in Residence/PA/Announcer/DJ at my beloved Brighton & Hove Albion F.C. and (as the leader of ‘Seagulls Ska’) got to Number 17 in the Top 40 on 9th January 2005 with a new version of the Piranhas’ ‘Tom Hark’ - part of the campaign for the Albion’s new stadium….

I have published 7 books of poems: ‘Cautionary Tales for Dead Commuters’ (Unwin, 1985) ‘Scornflakes’ (Bloodaxe, 1992) ‘The Rat Tailed Maggot’ (Roundhead, 1998) ‘Goldstone Ghosts’ (2001) 'My Poetic Licence' ( 2008) 'The Long Goodbye' (2010) and the latest, 'UK Gin Dependence Party' in December 2013.

Description

The Dublin Castle is a legendary pub and music venue located 2 minutes away from Camden Town tube station. It has been run by the same family for over 28 years and features 4 live bands every night as well as a great selection of beers, ciders and wines.

There are DJs after the bands on Fridays, Saturdays and Sundays and a fabulous jukebox in the front bar if you’re after a more relaxed atmosphere.

But what is it that makes the Dublin Castle the long-standing centre of the indie rock universe? Is it because it’s Madness’ birthplace? Because its stage has been graced by everyone from Blur, through Coldplay, Supergrass, The Killers, The Arctic Monkeys, Billy Bragg, etc? Is it because it was no surprise to see Amy Winehouse behind the bar serving costumers? Or Suggs? (who, mind you, tended to ignore costumers and serve himself) Or is it because far from being just another Camden venue it has established itself as an indie rock institution? The answer is that it’s not only because of its musical heritage that people come to the Dublin Castle, it’s because whilst you enjoy a pint, play some tunes on the jukebox, check out the live bands, get your dancing shoes on for our DJs, chat to our friendly staff or even stage-invade a little, you’re inadvertently being part of this movement the Dublin Castle leads, this cultural legacy. Expect no castle battlements. Just pure rock and roll royalty.

94 Parkway,

Camden Town,

Greater London,

England,

NW1 7AN.

020 7485 1773